Susan Seubert’s Fine Art Exhibit, “The Fallacy of Hindsight”

"Entwined", 50x40", Digital Pigment Print from Wet Plat Collodion Negative, 2015, edition of 15, signed, numbered and dated on verso, model: Twinka Thiebaud

“Entwined”, 50×40″, Digital Pigment Print from Wet Plate Collodion Negative, 2015, edition of 15, signed, numbered and dated on verso, model: Twinka Thiebaud

April 2015 is “Photo Month” in Portland and to celebrate I’ve mounted an exhibition at the Froelick Gallery entitled, “The Fallacy of Hindsight.”

You can read a review of the show by David Stabler here.

“Looking back, all of us could have made different choices that would have affected our lives today. A job taken or not. A relationship pursued or not. A relocation at a pivotal moment. Susan Seubert’s small, evocative photographs at Froelick Gallery spring from her past, documenting choices she made over the past 25 years.”

The work addresses notions of hindsight bias and memory. In conjunction with the Photolucida Events, I’ll be speaking at the gallery on April 25th at 11am.  The talk is free and open to the public and I hope to see many of you there!  The Froelick Gallery is located near the intersection of NW Davis and Broadway at 714 NW Davis in the DeSoto Building.

Following is the press release:

“In her solo exhibit, renowned photographer Susan Seubert will exhibit two distinct bodies of work on the subject of hindsight bias. 100 Memories, a series of 100 5″ x 5″ photographs recreating moments from the past 25 years of her life, alternating between literal depiction and emotional interpretation of events. Through these she examines her own choices and biases. The High Arctic is a series of photographs taken in June 2014 in the archipelago of Svalbard, where “the vast fields of broken ice sheets demonstrate global warming in the most literal of lamentable illustrations”. Entwined, a stand-alone work, shows its subject holding a large ball of twine which wraps around her face, conjuring feelings of being bound by one’s own thoughts while also possessing the means to control them.”

Here is a glimpse of the installation:

The installation at the Froelick Gallery of Susan Seubert's show, "The Fallacy of Hindsight"

The installation at the Froelick Gallery of Susan Seubert’s show, “The Fallacy of Hindsight”

 

 

 

Susan Seubert Speaking at the OPTIC Event in New York City, May 3rd and 4th

Please join me in New York City on May 3rd and 4th for the first annual OPTIC event!  This is a free, 3 day conference taking place in venues around B&H Photo in Manhattan.  OPTIC is sponsored by B&H and Lindblad/National Geographic Expeditions.  OPTIC stands for “Outdoor Photo/video Travel Imaging Conference.”  I’ll be there alongside some of my friends and colleagues: Dan Westergren, Ralph Lee Hopkins, Art Wolfe, Cristina Mittermeier, David Middleton and Bob Krist, and am also looking forward to making new friends.

I’ll be giving two lectures over the course of the three day event.  You can see a detailed list of times and venues here.

On May 3rd, I’ll be giving a presentation about how to build a travel story.  I have been a contributing features photographer to National Geographic Traveler for 11 years.  Drawing from that experience, I’ll offer tips on how to best cover a travel story through photography.  This lecture is designed for anyone, from the casual point-and-shoot photographer to the advanced amateur or pro.  I firmly believe that we can all learn from one another, so I hope to elucidate by sharing my experiences as a professional travel photographer.

On May 4th the title of my presentation is, “Food Photography to Catch the Local Flavor.” I’ll show how food can be a unique way to document a culture or enhance a travel experience.  From technical tips about how to make food look great to documenting traditional harvesting methods as a gateway to a larger cultural dialogue, I’ll share what I’ve learned to enhance your travel experience through your lens. Like the previous day’s topic on travel stories, this presentation is designed for anyone at any experience level who is interested in improving their images.

There are 19 speakers slated for this event and I encourage you to look at the web site and tailor your days based on your interests.  Also, B&H will be hosting a trade show and likely have some great deals on gear.  With this arrangement, you can immediately add to  your kit based on the advice from all of the speakers.  I know I’ll likely be doing some shopping!

Thank you for visiting my blog and see you in New York!

 

Photographer Susan Seubert speaks for National Geographic Seminar on The Travel Assignment

Lower Vieux Quebec, also known as Quartier Petit Champlain, Quebec City, Quebec, Canada

Lower Vieux Quebec, also known as Quartier Petit Champlain, Quebec City, Quebec, Canada          image copyright © 2014 Susan Seubert

Public speaking, for me, was once a terrifying prospect.  Standing on stage in front of an auditorium full of strangers, lights low with maybe a dim spotlight on me, huge images projected on the screen behind me: this scenario was petrifying. Yet over the years, it’s become much easier for me to stand in front of an audience and speak.  Perhaps it’s from practice or maybe it’s simply the passing of time, but either way I am now much more familiar with myself and what I do than I was when I gave my first formal lecture.  It was to the Society for Photographic Education’s Conference at Evergreen State College in Washington.  I was 22 years old and had to excuse myself after the first sentence came out of my mouth as I thought I might pass out.

Thankfully, that was not the case these past two Sundays when I had the opportunity to speak alongside National Geographic Traveler’s Director of Photography, Dan Westergren.  I had been asked by the National Geographic Seminar program to prepare a day long talk about “The Travel Assignment”, something with which I am now familiar.  The day was broken up into several segments in order to address the subject in as comprehensive a manner as possible in under 6 hours.  Dan and I took turns speaking depending on the subject. Occasionally we would interject a relevant story or address a specific audience member’s question during the other person’s presentation.  My subjects were the following: “How Portraiture Can Inform a Larger Narrative;” “What I Carry in My Daily Camera Bags and Why (using pictures to illustrate not only the gear, but also examples using different lens lengths, hello Canon and Think Tank!! );” and finally to present two stories shot on assignment for the magazine.  Dan’s topics were: “Photos We Love and Why;” “Histogram, White Balance and Composition;” “Mirror-less Cameras;” “Using Light;” and “Essence of Place.”

A highlight of the program for me was Dan’s opening sequence of, “Photos We Love and Why.”  November 2014 is National Geographic Traveler’s 30th Anniversary, and I am humbled and pleased to have one of my images included in their 30 Greatest Travel Photos in 30 Years.  Because these were the images Dan chose to show as part of the program, I was able to explain the behind-the-scenes of my image chosen, and Dan described the criteria he and his editors use in the selection process for the photos published in the magazine, and how those criteria had changed over time.  Considering that over 30 million images have been submitted to National Geographic Traveler and of those, approximately 34,000 have been published in those 30 years, I feel very fortunate that one of mine landed in the chosen 30.

In both Los Angeles and Portland, our audiences were terrific!  Everyone was engaged, positive, asked great questions and seemed pleased to have spent an entire Sunday in a darkened room, looking at pictures with Dan and me.  In fact, one of the winners of the 2014 National Geographic Traveler Photography Competition was in attendance at our Portland seminar. One of the many benefits of attending these seminars is that we allow a good amount of time for questions where anyone in the audience can ask and we are right there to answer.  Our goal is to be there to not only provide insight and information about the world inside National Geographic Traveler Magazine, but also to tailor the day for interaction with participants.  I always dine with the guests so we can possibly continue talking during lunch. Participants also received a handout which has not only the information we address during the seminar, but also a list of resource web sites for Travel Photographers.

I look forward to my upcoming speaking engagements. I will discuss my work during Portland’s upcoming Photolucida. I am scheduled to give a talk to the students at the Pacific Northwest College of Art during one of their “Career Chat” programs and also at the Froelick Gallery where I’ll be having a show of my work in April. I will be giving another seminar for the National Geographic Seminar program this coming spring. As the schedule becomes available, I’ll be posting about it on my social network pages as well as on this blog.

Presenting my portrait images at the Skirball Auditorium in Los Angeles for National Geographic Seminars, "The Travel Assignment"

Presenting my portrait images at the Skirball Cultural Center Auditorium in Los Angeles for National Geographic Seminars, “The Travel Assignment”

Thank you for visiting my blog and have a great day!