Susan Seubert’s Fine Art Exhibit, “The Fallacy of Hindsight”

"Entwined", 50x40", Digital Pigment Print from Wet Plat Collodion Negative, 2015, edition of 15, signed, numbered and dated on verso, model: Twinka Thiebaud

“Entwined”, 50×40″, Digital Pigment Print from Wet Plate Collodion Negative, 2015, edition of 15, signed, numbered and dated on verso, model: Twinka Thiebaud

April 2015 is “Photo Month” in Portland and to celebrate I’ve mounted an exhibition at the Froelick Gallery entitled, “The Fallacy of Hindsight.”

You can read a review of the show by David Stabler here.

“Looking back, all of us could have made different choices that would have affected our lives today. A job taken or not. A relationship pursued or not. A relocation at a pivotal moment. Susan Seubert’s small, evocative photographs at Froelick Gallery spring from her past, documenting choices she made over the past 25 years.”

The work addresses notions of hindsight bias and memory. In conjunction with the Photolucida Events, I’ll be speaking at the gallery on April 25th at 11am.  The talk is free and open to the public and I hope to see many of you there!  The Froelick Gallery is located near the intersection of NW Davis and Broadway at 714 NW Davis in the DeSoto Building.

Following is the press release:

“In her solo exhibit, renowned photographer Susan Seubert will exhibit two distinct bodies of work on the subject of hindsight bias. 100 Memories, a series of 100 5″ x 5″ photographs recreating moments from the past 25 years of her life, alternating between literal depiction and emotional interpretation of events. Through these she examines her own choices and biases. The High Arctic is a series of photographs taken in June 2014 in the archipelago of Svalbard, where “the vast fields of broken ice sheets demonstrate global warming in the most literal of lamentable illustrations”. Entwined, a stand-alone work, shows its subject holding a large ball of twine which wraps around her face, conjuring feelings of being bound by one’s own thoughts while also possessing the means to control them.”

Here is a glimpse of the installation:

The installation at the Froelick Gallery of Susan Seubert's show, "The Fallacy of Hindsight"

The installation at the Froelick Gallery of Susan Seubert’s show, “The Fallacy of Hindsight”

 

 

 

Susan Seubert Speaking at the OPTIC Event in New York City, May 3rd and 4th

Please join me in New York City on May 3rd and 4th for the first annual OPTIC event!  This is a free, 3 day conference taking place in venues around B&H Photo in Manhattan.  OPTIC is sponsored by B&H and Lindblad/National Geographic Expeditions.  OPTIC stands for “Outdoor Photo/video Travel Imaging Conference.”  I’ll be there alongside some of my friends and colleagues: Dan Westergren, Ralph Lee Hopkins, Art Wolfe, Cristina Mittermeier, David Middleton and Bob Krist, and am also looking forward to making new friends.

I’ll be giving two lectures over the course of the three day event.  You can see a detailed list of times and venues here.

On May 3rd, I’ll be giving a presentation about how to build a travel story.  I have been a contributing features photographer to National Geographic Traveler for 11 years.  Drawing from that experience, I’ll offer tips on how to best cover a travel story through photography.  This lecture is designed for anyone, from the casual point-and-shoot photographer to the advanced amateur or pro.  I firmly believe that we can all learn from one another, so I hope to elucidate by sharing my experiences as a professional travel photographer.

On May 4th the title of my presentation is, “Food Photography to Catch the Local Flavor.” I’ll show how food can be a unique way to document a culture or enhance a travel experience.  From technical tips about how to make food look great to documenting traditional harvesting methods as a gateway to a larger cultural dialogue, I’ll share what I’ve learned to enhance your travel experience through your lens. Like the previous day’s topic on travel stories, this presentation is designed for anyone at any experience level who is interested in improving their images.

There are 19 speakers slated for this event and I encourage you to look at the web site and tailor your days based on your interests.  Also, B&H will be hosting a trade show and likely have some great deals on gear.  With this arrangement, you can immediately add to  your kit based on the advice from all of the speakers.  I know I’ll likely be doing some shopping!

Thank you for visiting my blog and see you in New York!

 

Commercial Photographer Susan Seubert Shooting in LA for Staples

We recently wrapped a few days of shooting, in sunny Los Angeles, for our client Staples. The campaign, promoting their Copy and Print products, will be released soon and we’ll share that here. Check back for those in a couple of weeks; in the meantime, here are some behind the scenes of our Hollywood adventures.  Written by my rep, Jenna Teeson. :-)

Like every great shoot, we kicked the week off with a toast.  We celebrated a long pre-production (shooting in Los Angeles requires approximately 85 steps in permitting) and finally have the bi-coastal team all together.

Like every great shoot, we kicked the week off with a toast. We celebrated a long pre-production (shooting in Los Angeles requires approximately 85 steps in permitting) and finally have the bi-coastal team all together.

Our prop stylist, Amy Lipnis, transformed a baby boutique into exactly what our creative director had envisioned.  The location, Caro Bambino was incredibly accommodating

Our prop stylist, Amy Lipnis, transformed a baby boutique into exactly what our creative director had envisioned. The location, Caro Bambino was incredibly accommodating

It was all hands on deck to prepare for day one of shooting.  Here I am, removing the logo on the store window.  Susan did the other window!

It was all hands on deck to prepare for day one of shooting. Here I am, removing the logo on the store window. Susan did the other window!

 

Our client and creative director reviewing files, on the fly.

Our client and creative director, reviewing files on the fly, during our shoot day in the Larchmont neighborhood. Thank you to Salt & Straw for being so wonderfully accommodating and for serving us the MOST delicious ice cream!

Our third location was on the Universal Studios Backlot.  We shot on the same street where Desperate Housewives was filmed.  I wonder how many selfies we all took? #wisterialane

Our third location was on the Universal Studios Backlot. We shot on the same street where Desperate Housewives was filmed. I wonder how many selfies we all took? #wisterialane

Here is Susan framing up one of our shots on "Wisteria Lane."

Here is Susan framing up one of our shots on “Wisteria Lane.”

Have camera, will travel.  Susan shot 5 different set-ups that afternoon!

Have camera, will travel. Susan shot 5 different set-ups that afternoon!

Happy client.  Smiles all around.

Happy client. Smiles all around.

Susan treated us to a celebratory toast at the end of day 3!

Susan treated us to a celebratory toast at the end of day 3!

Our wonderful team.  Thank you, Staples, for the opportunity and than you to our incredibly hard working crew.

Our wonderful team. Thank you, Staples, for the opportunity and thank you to our incredibly hard working crew.

 

National Geographic Photographer Susan Seubert wins Gold at NATJA

National Geographic Photographer Susan Seubert wins Gold at NATJA

I was completely taken aback when my cell phone pinged, “Congrats @susanseubert winning #NATJA gold for your photos in ‘Saving Old Bangkok’ in the Aug/Sept 2014 @NatGeoTravel.”  The North American Travel Journalists Association (NATJA) had held its annual competition for excellence in travel publishing and I was awarded gold in the category of Photo Essay.  Since I hadn’t entered, I had no idea I was even up for an award! I would like to thank my editors and the entire staff of National Geographic Traveler for giving me this fantastic assignment as well as congratulate the magazine for winning the grand prize for Travel Publications!  Go Team NGT!!!!

The opening spread for the award winning photo essay, "Saving Old Bangkok," for National Geographic Traveler Magazine

The opening spread for the award winning photo essay, “Saving Old Bangkok,” for National Geographic Traveler Magazine

National Geographic Traveler had assigned me to photograph a story about a small group of people in the old city of Bangkok who are actively working to preserve some of the remarkable wooden houses and other structures in the neighborhoods on Rattanakosin Island, on the eastern bank of the Chao Phraya River.  The project is being spearheaded by architect Worapan Klampaiboon, who has a small guesthouse on Samsen 5, the Samsen 5 Lodge.  I spent just over two weeks wandering the streets photographing the people, guesthouses, neighborhoods, markets and temples that are all located in this area.  One of my favorite places to explore was around one of the guesthouses, Baan Dinso.  Everywhere, daily life spilled on to the streets.  Being able to spend time walking through the narrow roads of these areas allowed me to experience what the architect saw: an architecturally important area that had fallen into disrepair but was still salvageable. I photographed a group of old wooden homes that had been transformed into an arts center by a kindly couple who happened to be friends with my translator. This ended up being one of the opening pictures along side an outdoor bathtub at a renovated guest house, the Old Bangkok InnYou can read the story here.  Thank you for visiting!

Monks during prayer at Wat Suthat Thepphawararam a royal temple of the first grade, one of ten such temples in Bangkok.

Monks during prayer at Wat Suthat Thepphawararam a royal temple of the first grade, one of ten such temples in Bangkok.

The neighborhood around the Bann Dinso Guesthouse

The neighborhood around the Bann Dinso Guesthouse

Wat Ratchanaddaram, a Buddhist temple in Bangkok, Thailand

Wat Ratchanaddaram, a Buddhist temple in Bangkok, Thailand

Portrait Photographer Susan Seubert Shoots for the New York Times

Assignments from the New York Times are always a great exercise because the turn-around time is often very short.  For most other assignments, I have at least a week or so where I can research the subject, scout the location, and get a sense of what the weather will be like on the shoot date.  Last week I was assigned to photograph for Nicholas Kristof’s Op-Ed about empathy.  The subject of the story had passed away, and it wasn’t possible to cover the funeral because of the deadline for the paper, so I was asked to photograph the story subject’s brother.  I arrived at the location and had a quick look around.  The first image I was asked to make was of Mr. Green holding a photo of his brother.  The best picture available was on a smartphone.  That picture-of-a-picture worked well to show a current image of the subject, but was very literal. It served to illustrate what Kevin looked like prior to his passing.

The possibilities for making a stronger image unfolded within the hour or so I had to complete the job.  The subject was a kind, gentle man who, despite his hurt foot, was willing to walk a short distance to stand in the glorious sunshine.  The idea I had discussed with my editor was to place him in the context of the family farm.  It was a bucolic Oregon scene: an old barn, some rusty farm equipment, and a very willing beagle.  These together provided the setting for our subject.  Mr. Green moved naturally into this position which suggests sadness, so all I had to do was to be sure that the focus and exposure were set properly.  I think it worked well.  What do you think?

Here is a link to the story.

The photos that were used are below.

Clayton Green, brother of Kevin Green, at his family's farm in Yamhill, Ore.

Clayton Green, brother of Kevin Green, at his family’s farm in Yamhill, Ore.  Photographed on location with a Caono 5D Mark III using a 24-105mmL IS USM lens.

Clayton Green holding a photo on a cell phone of his brother Kevin Green, at his family's farm in Yamhill, Ore.  Photographed with a Canon 5D Mark III and a 24-105L IS USM lens.

Clayton Green holding a photo on a cell phone of his brother Kevin Green, at his family’s farm in Yamhill, Ore. Photographed with a Canon 5D Mark III and a 24-105L IS USM lens.

 

Susan Seubert Photography in 2014 : An Amazing Year, in Pictures

From the North Pole to the sands of Hawaii, my cameras and I saw many incredible places.

Here are some of the highlights.

My year began in Birmingham for National Geographic Traveler for a story about the history of Civil Rights in the city, but from a traveler’s perspective. The assignment took me to the Civil Rights Museum and the inside of the 16th Street Baptist Church, both sobering experiences.  Birmingham also has a fabulous food scene from down home BBQ to some seriously delicious high-end Southern Cuisine.  The lively arts scene was a surprise, complete with small music venues and vegan restaurants.

The Wales Window at the 16th Street Baptist Church in Birmingham, Alabama

The Wales Window at the 16th Street Baptist Church in Birmingham, Alabama

The Bottletree restaurant, which offers vegan cuisine, and music venue located in the Avondale district of Birmingham, Alabama.

The Bottletree restaurant, which offers vegan cuisine, and music venue located in the Avondale district of Birmingham, Alabama.

The next great assignment came from the Smithsonian Magazine : photographing the Von Trapp children who have made Portland, Oregon their hometown. We spent time climbing trees and jumping on rooftops with umbrellas to get some wonderful images of these multi-talented youngsters.

The Von Trapp children in Portland, Oregon

The Von Trapp children in Portland, Oregon

From there, it was off to Baja, where I taught photography on board the National Geographic Sea Bird.  We traveled throughout the Gulf of California experiencing all kinds of wildlife. Swimming with sea lions at Los Islotes, Orca whales bow riding at midnight under a full moon and huge flocks of elegant terns choosing their mates at Isla Rasita are just a few of the amazing encounters we had during our eight day voyage.  The wildlife experts on board kept our shutters flying.

Snorkeling with California Sea Lions at Los Islotes in Baja California Mexico

Snorkeling with California Sea Lions at Los Islotes in Baja California Mexico Photographed with a GoPro Camera

Elegant terns and other sea birds gathering on Isla Rasa, Baja California Mexico

Elegant terns and other sea birds gathering on Isla Rasita, Baja California Mexico

After a few loads of laundry and some face time with the kitties, it was off to Maui for the month of May, where I shot a story about Happiness for Prevention Magazine.  We had fun making smiley faces on trees in the lush, tropical forests.  We did street casting to choose our lovely models who expressed joy with their smiles and their feet. :-)

A tree in the forest on Maui with a happy face made of natural materials.

A tree in the forest on Maui with a happy face made of natural materials.

pink flowers with a happy face in the grass with bare feet, Maui, Hawaii

pink flowers with a happy face in the grass with bare feet, Maui, Hawaii

From Maui, I flew directly to Quebec City for National Geographic Traveler where I spent ten days on assignment.  The European vibe and French speaking Vieux Quebec made me feel as though I had crossed two oceans.

Street scenes from Vieux Quebec, the only fortified city in North America north of Mexico, Quebec City, Canada. Rue Saint Louis lighting up at dusk

Street scenes from Vieux Quebec, the only fortified city in North America north of Mexico, Quebec City, Canada. Rue Saint Louis lighting up at dusk

Lower Vieux Quebec, also known as Quartier Petit Champlain, Quebec City, Quebec, Canada

Lower Vieux Quebec, also known as Quartier Petit Champlain, Quebec City, Quebec, Canada

In June, I headed to Svalbard to work as the Photography Expert for National Geographic Expeditions on board the Explorer, a beautiful ice breaker.  We sailed among the ice sheets, spotting polar bears and photographing the most incredible blues I’ve ever seen.  The landscape around the North Pole cannot be properly captured in pictures, but we all did our best.

A polar bear with her cub on the pack ice in Svalbard, Norway

A polar bear with her cub on the pack ice in Svalbard, Norway

Austfonna Ice Cap on Nordaustlandet, Svalbard, Norway

Austfonna Ice Cap on Nordaustlandet, Svalbard, Norway

Ice floating in Svalbard, Norway

Glacial Ice floating in Svalbard, Norway

Teaching photography has been a focus of 2014. In July, I taught a group of aspiring young photographers through National Geographic’s Student Expeditions program in San Francisco.  We explored Muir Woods, the Monterey Bay Aquarium, the streets of San Francisco and magnificent Big Sur.  Later in the year I taught two one-day seminars in L.A. and Portland for National Geographic on “The Travel Assignment.”

Our group portrait with all of the National Geographic Student Expeditions at the Sutro Baths, San Francisco, CA

Our group portrait with all of the National Geographic Student Expeditions at the Sutro Baths, San Francisco, CA

Our dusk shoot at the Golden Gate Bridge with Student Expeditions where we experimented with light writing and a group portrait

Our dusk shoot at the Golden Gate Bridge with Student Expeditions where we experimented with light writing and a group portrait

After wrapping in San Francisco, I photographed for several days on beautiful Bainbridge Island in Washington.  The subject?  Chickens.  Chickens and their coops for Amber Lotus, a calendar and card company.  Keep your eyes peeled for the 2016 edition of City Chickens and Their Coops!

Chickens and their Coops Calendar coming out in 2016, but it's not too late to get your 2015 copy!

Chickens and their Coops Calendar coming out in 2016, but it’s not too late to get your 2015 copy!

It was off to Switzerland in September for two weeks covering 1000 miles of Swiss bliss.  Every village and mountain peak was as picturesque as one would expect from this iconic country.  One of the many highlights was visiting a small creamery in the Alps that makes Alpkäse, a traditional cheese made entirely by hand.  I also hiked around the mountains, explored the country by train, car and boat, and (how could I resist?) sampled lots of chocolate.

A Swiss cheese-maker working on a batch of Alpkäse by hand in the traditional manner in a giant copper kettle over a wood burning fire at their cheese-making hut above Wengen, Switzerland

A Swiss cheese-maker working on a batch of Alpkäse by hand in the traditional manner in a giant copper kettle over a wood burning fire at their cheese-making hut above Wengen, Switzerland

A Swiss cheese-maker working on a batch of Alpkäse by hand in the traditional manner in a giant copper kettle over a wood burning fire at their cheese-making hut above Wengen, Switzerland

A Swiss cheese-maker working on a batch of Alpkäse by hand in the traditional manner in a giant copper kettle over a wood burning fire at their cheese-making hut above Wengen, Switzerland

What could be better than this? Crete. I flew directly there from Switzerland and was met by my husband — and my fixer.  We proceeded to spend just over a week shooting the western half of the island.  The food, people, landscape and architecture were outstanding. That story has already hit the newsstands in the Netherlands for the Dutch edition of National Geographic Traveler.

Street scenes in Chania, Crete, Greece

Street scenes in Chania, Crete, Greece

Evening street performers in the village of Paleochora on the southern coast of Crete, Greece, Europe

Evening street performers in the village of Paleochora on the southern coast of Crete, Greece, Europe

After Crete it was off to another island, our home on Maui, where we spent October and November surfing, stand-up paddle-boarding and, of course, making more pictures.  This time the assignment was for me: to explore the underwater world with a Canon 7D and an SPL water housing.  I photographed turtle after turtle, had a few octopus encounters and enjoyed a beautiful moment with a very large spotted eagle ray.

A spotted eagle ray at the reef at Black Rock in Kaanapali, Maui

A spotted eagle ray at the reef at Black Rock in Kaanapali, Maui

A large, male Hawaiian green sea turtle swims peacefully over the reef at Kaanapali, Maui

A large, male Hawaiian green sea turtle swims peacefully over the reef at Kaanapali, Maui

Thank you to all of my clients for sending me on such remarkable journeys.

You’ve made 2014 marvelous!!!

 

Susan Seubert Photography’s Picture Chosen as one of National Geographic’s 30 Best Travel Pictures in 30 Years

Zed's surf school at Surfer's Point on the South Coast of Barbados

Zed’s surf school at Surfer’s Point on the South Coast of Barbados

This past November, National Geographic Traveler Magazine celebrated its 30th Anniversary. The magazine was launched in order to ” ‘inspire members [of the National Geographic Society] to go and experience [destinations],” complementing National Geographic, “which has taken its readers to places most of us will never reach.'” This is quoted from the editor’s note in the November 2014 edition, quoting National Geographic editor Gilbert M. Grosvenor‘s editor’s letter from the first magazine launch in 1984.

The issue celebrates how photography has played an important role in the magazine’s history with a segment called,”30 Years in Pictures, The Best Photographs From the Pages of Traveler Magazine,” and one of my images was included.  Keith Bellows wrote, “In this anniversary issue we celebrate our 30th year through the camera lens, offering a chronicle of changing times. Since 1984 we’ve shot more than 3.4 million photos and published some 36,000.”

Having an image chosen from that number must be what it feels like to win the lottery. :-)

You can see the picture on my web site here or on National Geographic Traveler’s site here.