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Posts Tagged ‘multimedia’

Yet another long overdue post…

This year I was one of  24 artists/teams selected for the citywide Oregon Biennial, Portland2012 which was held earlier this year. Portland2012, the Biennial of Contemporary Art, is a major survey of work by visual artists who are defining and advancing the contemporary arts landscape in the state.  The show was presented by Disjecta and curated by Prudence F. Roberts.

My installation at Disjecta is titled, “The Digital Divide,” and consists of a series of QR codes installed in the gallery which, when scanned with a smart phone or other hand-held device, takes the viewer to videos and/or text.  The artist statement follows below.  You can view the installation on my fine art web site here.  The videos can be watched by scanning the QR codes from your computer screen, or by visiting the multimedia portion of my web site.  I would like to thank the fabulous people at Disjecta, Ms. Roberts, Marc Greenfield and all the volunteers that helped make this piece possible.  Tri-Met was a wonderful sponsor and included some stills from the videos on the sides of buses and on bus stop shelters throughout the city of Portland.

A still from, “The Digital Divide” installed on the side of a Tri-Met bus as part of Disjecta’s Portland2012, A Biennial of Contemporary Art

A still from “The Digital Divide,” an installation piece for Disjecta’s Portland2012, A Biennial of Contemporary Art.

The following is the artist statement for the piece:

To explore ideas of toxic waste, environmental impact due to rapid changes in technology, specifically communications technology, I have chosen to create a series of videos, which are accessible via QR codes using smart-phone technology. New methods of communication, (cell phones, smart phones, computers), have created forms of consumption which have had a direct correlation to the environmental impact of that consumption. Although not obvious, many natural resources are used to manufacture technological goods that we now rely on for communication. These materials are often harvested from third world nations, the most famous example being the Democratic Republic of the Congo where the thirst for Colton has fueled violent conflict. Some heavy metals are used in the manufacturing of communication technology such as cadmium, lead and arsenic. The rapid change in such things as processor speed and memory capacity has led to an enormous turnover in electronic hardware waste. (One statistic cites that the performance values of Information and Communication Technology double every 18 months.)
QR (Quick Response) codes are a type of matrix barcode, which consists of black modules arranged in a square pattern on a white background. They were designed by the Japanese in the early 1990′s to track vehicles during the manufacturing process. The use of the QR code is growing as a point-of-purchase symbol, where the consumer can scan the code and be taken to a video about whatever product to which the code is connected. The codes can be used for urls, text or numeric information. The problem is that the consumer must have a smart phone, access to the Internet and the application that allows the camera to read the code. Using QR codes as a method of communication, in order to see the actual visual information it conveys, most of which could normally be seen using our eyes through traditional media, one must use a camera. Eyes will simply no longer suffice to handle the task of reading, (i.e de-coding), the image.
Semaphore signal videos installed on the Internet, transmitted to the viewer via QR codes, emphasizes the digital divide that is currently prevailing in our global culture.
Working on the assumption that most viewers of this piece will not be able to read the semaphore signals as letters, (which form a sentence relevant to each location where the video was made), and that there will also be a number of viewers who will not have the relevant technology to read the QR codes, the piece will have effectively alienated the viewer from at least one critical portion of the piece, therefore encompassing both ends of the digital divide. I chose to use the Semaphore code because it is being phased out as a means of communication. Although it is still used in certain military situations, (such as refueling ships or moving munitions at sea), it will soon be gone as a method of communication. The Semaphore Flags system is used for conveying information at a distance by means of visual signals with hand-held flags.

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The current, (May 2012), issue of Smithsonian Magazine features an online multimedia piece about the meaning behind hula and I had a great time shooting the video and audio that comprise the bulk of the piece.  I had been assigned to illustrate a story written by Oahu resident and well known author Paul Theroux entitled, “Paul Theroux’s Quest to Define Hawaii.”  It was a pleasure to spend an afternoon with Paul, an extremely interesting and generous man. He’s always got a tale to tell and is engaging in conversation. I feel quite lucky to have now worked on two of his stories.  His story can be read here, the photo gallery can be seen here, and you can hear his thoughts, along with Kumu Hula Hinaleimoana Wong Kalu in the multimedia piece here.

One of the images made for the story, “Paul Theroux’s Quest to Define Hawaii” of the Waianae Mountains on the island of Oahu, Hawaii

All of the still images and video were made with Canon 5D Mark II bodies, Canon L series lenses and the audio was captured with a wireless Sennheiser mic system and the Zoom H4n hand-held audio recorder.  The stills were processed in Adobe Lightroom and Smithsonian’s in-house video editors compiled the raw material into the finished piece.  Go team Smithsonian!

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Last fall, I shot a feature story and multimedia piece for Smithsonian Magazine.  I landed the cover. (Yippee!!!) Smithsonian’s editing team took the raw footage and audio, and produced a very nice video to accompany the article as it appears online and on their iPad application.  Since I’m a Wonderfulmachine photographer, they decided to write a nice blog post about the job here.  I’m grateful to have Maria Luci on my team of supporters to help spread the word that I am capable of working in the field under challenging circumstances and produce great results.  This feels like shameless horn-tooting, but I feel that the only way to showcase my abilities is to get the word out through modern channels. :-)   Thanks for your time!

The Sliding Sands trail, as seen from near the top of Haleakala below the visitor's center

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Saturday night, or possibly Sunday morning, my 737 delivered me safely home to Portland after I spent 16 days in Bahia de Magdalena and the Gulf of California, otherwise known as the Sea of Cortez.  It was a thrilling adventure aboard the National Geographic Sea Bird where I was the National Geographic Photography Expert on board the ship.  I met many, many lovely people who had come from all corners of the earth to enjoy the extraordinary drama of this place.  In Bahia de Magdalena, one of three nurseries for Gray Whales along the Pacific Coast of the Baja Peninsula, we encountered these behemoths.  It is difficult to put into words the feeling when a month old baby whale sticks its head out of the water, looks directly at you, and invites a scratch on the chin.  The whales chose us as their companions and judging from the size of these cetaceans, we knew we had to follow their lead.  The expedition took us to many islands in the Gulf of California where amazing rock formations and incredible diversity of plant and animal life welcomed us.  The water changed color constantly depending on where we were in the Gulf. The shallow coves were inviting for kayaking, snorkeling and bbq’s under the star littered sky.  Our brief stop in San Jose del Cabo was a nice visit to terra firma and an opportunity to bird watch in the estuary.  Otherwise, shopping and sightseeing were an added treat to a trip dominated by the wild blue yonder.  We encountered not only Humpback whales and their calves frolicking in the ocean, but also numerous dolphins, and magnificent Blue Whales, the largest animals ever known to have existed.  Here is a very brief multimedia piece that I hope offers a tiny sliver of this incredible expedition with National Geographic and Lindblad.  Enjoy!

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The assignment I shot for National Geographic Traveler Magazine about Barbados was the first assignment where I brought along some sound equipment and although, due to a very tight shooting schedule, I didn’t have much time to gather audio, there was one interview with a couple of local women who go every morning to Enterprise Beach, otherwise known as Miami Beach, to have a sponge.  From my hotel room, I’d hear people walking down the road at dawn towards the water so one morning I followed.  It was glorious.  All manner of locals just hanging around, talking and floating in the clear, blue water.  This went on all day, every day, weather permitting.  The people of Barbados are so friendly and these two women really expressed this warmth while discussing the water they visit for social and medicinal purposes.  I’ve posted a video about it on my web site and also wanted to put it up here.  I find their voices uplifting and it brings joy to my heart to listen to their passionate love for their beach, Miami Beach in Barbados.

The photos were all made with a Canon 5D Mark II and processed in Adobe’s Lightroom.  The slideshow was put together using Final Cut Pro.  The audio was gathered using an Audio-technica omnidirectional condenser mic with a dead cat wind screen and an Edirol R-09HR recorder.  I use Bose noise-canceling headphones while recording audio.

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It is with great pleasure to announce the online publication that I worked with Travel Oregon last year in Bend for the 2009 Cyclo-cross National Championship Races.  You can view the multi-media piece here.  We spent three days gathering still images and audio to put together a piece which I feel captures the spirit of the event.  I spent many hours editing the piece, which went through a few manifestations to reach the finished piece.  Since I not only took the pictures, gathered the majority of the audio and edited the work, I’m quite proud. :-) The USA Cycling Cyclo-cross National Championships will be held again this year in Bend, Oregon and will feature much of the same family-friendly events including an art walk, live music, film screenings and many more events.  I’ll post more photos and my “director’s cut” shortly.  Thanks for visiting!!!

Susan Seubert's Multimedia piece about Cyclo-cross Bicycle Racing

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In addition to making a short multimedia piece, which was posted previously, I’ve made some images available on my Stock Photography site from the Pu’u Kukui Watershed hike.  This is a rare and marvelous place.  If you’d like to look at more photographs from the day, you can do so by clicking here.  Here are a few more pictures from the day. Aloha!

Hiking along the ridge

The view down to Lahaina and the Ka'anpali Resort Development.

The forest is resplendent with massive tree ferns

Heading up into the cloud forest

patterns in nature

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Yesterday I had the great privilege of attending the monthly rain gauge hike in the Pu’u Kukui watershed in the West Maui Mountains.  I produced this short multimedia piece to illustrate a tiny snippet of the experience, which I shall never forget.  The majestic beauty of this place will hopefully inspire people to conserve this extremely fragile area of the Earth. A great big mahalo to Sam Ohu Gon who chanted for our forest entrance, to our guides, Daniel and Lono and to the Pu’u Kukui Watershed preserve for granting us this incredible experience.  Look for photos from the day which I will soon post on my Photoshelter site.

The stills were shot on a Canon 5D Mark II, the audio recorded with an Edirol R-09HR

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The sound that wakes me most mornings here on Maui comes from an introduced bird species called the Gray Francolin.  They are quite common in Hawaii, particularly around the beach where many hotels have unwittingly provided the perfect habitat in which they thrive.  There were a pair sitting in the tree, just outside the lanai, and I was fortunate to be able to capture them calling out.  Enjoy!

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Blackstone Edge Studios produced a series of short films about photographers in Portland, Oregon and were kind enough to include me in one of the featured videos.  I hope that you find the information of use!  Thanks for your time.

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