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Archive for the ‘large format photography’ Category

Any ink is good ink and this morning I was pleased to read a review in The Oregonian of the group show that my work is in at the Froelick Gallery called, “Equine.”  I made the piece that was curated into this show for my last exhibition, ” r e s t r a i n t.”  When the gallery owner saw the piece, he decided to hold it for this show.  The image is of a bridle with blinders and made with the wet plate collodion process. This piece has sold to a private collector, but I’ve included the image below and there is a link to the review here.  It’s always satisfying when an arts writer understands the territory I’m negotiating with my work and this brief review is no exception.  Thank you Bob Hicks!

"Horse Bridle with Blinders," 5x4", ambrotype, 2011

 

 

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Greetings!  The holiday season is upon us already… my how time flies.  Last week was a flurry of assignments but with the annual slowing down of work around this time of year, I usually take some time to work on personal projects.  This year is no exception.  My good friend and mentor, Jody Ake moved to Portland recently and agreed to give me a refresher course on wet-plate collodion.  For a one-person show in 2009 during Portland’s biennial photo festival, Photolucida, I showed a group of 25 full plate ambrotypes – a study of birds nests that I created during a workshop in 2008 at the Oregon College of Arts and Crafts that Jody taught. This piece was also included in the Tacoma Art Museum’s 2009 Northwest Biennial.

grid of 8x10" ambrotypes entitled, "Nest"

Since that show, I’ve been busily filling print orders and taking assignments and have not had a large enough block of time to get back into the wet darkroom… until now!  Often I use my holiday card as a conceptually simplistic way to get my creative ball rolling again.  I’m looking forward to continuing to work in the wet-plate process making not only ambrotypes, but also ferrotypes.  Happy Holidays!

wet-plate ambrotype of mercury glass ornaments

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