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Archive for the ‘alt process photography’ Category

I am pleased to announce the opening of a show at the Kittredge Gallery at the University of Puget Sound in Washington State.  The show opens today, August 21st and runs through September 22nd, 2012.

The show is entitled, “Nerve-Wracked,” and includes pieces from the series, “Panphobia,” and, “Neurasthenia.” Examples from the exhibit are below. :-)

The opening reception is on September 5th.  Unfortunately, (or rather fortunately!), I have an assignment on the Oregon Coast at that time so I will not be in attendance.  However, I encourage anyone in the area to go and see the exhibition.

More information, including gallery hours and location, can be found here.

Information about Susan Seubert’s show, “Nerve-Wracked,” at the Kittredge Gallery

 

If you aren’t in the Puget Sound area, my work will also be included in a show opening September 5th at the Blue Sky Gallery/Oregon Center for the Photographic Arts  in Portland, Oregon.  The show is entitled, “The Unseen Eye.” My piece that is being shown is part of curator W.M. Hunt’s personal collection.  He purchased, “Neurasthenia #1,” and it has been chosen for exhibition at Blue Sky.

Title: “Equinophobia” Medium: Platinum Print, on view at the Kittredge Gallery from August 21 through September 23

Title: “Neurasthenia #1″ Medium: Dry Plate Tintype, on view at the Blue Sky Gallery beginning Sept. 5th, 2012

To view more of my personal work, you can do so by visiting seubertfineart.com

If you are interested in purchasing available work, you may contact any of the following galleries:

The Froelick Gallery, Portland, Oregon

The Joseph Bellows Gallery, La Jolla, California

The G. Gibson Gallery, Seattle, WA

Thank you for your time!

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Last night, Oregon Public Broadcasting aired their twice weekly segment on art, called Oregon Art BeatI was one of the three persons featured on the show.  It is so strange to watch myself on tv, as I’m used to being on the other side of the camera.  The piece is about the fact that I work both as an editorial photographer and a fine art photographer.  I would like to thank OPB, Jule Gilfillan, Tom Shrider and Randy Layton for putting together such a nice piece. I’d also like to thank This Old House for giving OPB permission to photograph us working on location for the March 2012 cover. I am also grateful to Michele Greco for allowing herself to be filmed while we were working – so a big thanks to my favorite stylist/producer. :-) Although this feels like more shameless horn-tooting, I really hope that you’ll take a moment to watch the video.

Oregon Art Beat video about Susan Seubert Photography

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The Froelick Gallery, which represents my work, is part of Miami Aqua this year and has chosen several artists, including me :-) , to be included in their gallery space in Miami.  I’m thrilled to be represented at one of America’s largest art fairs, as Miami Aqua serves to bring West Coast artists to Art Basel in Miami Beach.  Art Basel is arguably one of the most prestigious art shows in North America and this is the first year I’ve had work included in the fair.  Charles and Rebecca chose to take some of my more diminutive pieces, including works from the series, “Tic, Tac, Toe,” and, “r e s t r a i n t.”  If you’re in Miami, stop by the Aqua Hotel and say hi!

Niqab, wet-plate ambrotype, 5x4", 2011 on display at Miami Aqua at the Froelick Gallery

This image was made using the traditional wet-plate collodion process where a glass plate is coated in collodion, then soaked in a bath of silver nitrate, exposed using a high powered strobe system and then developed, dried and finished with sandarac varnish.  They are then framed using glass mats and hand made wooden 8×10″ frames.  All the pieces from the series, ” r e s t r a i n t,” are 5×4″ in image size.  This piece is now SOLD. :-)

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Any ink is good ink and this morning I was pleased to read a review in The Oregonian of the group show that my work is in at the Froelick Gallery called, “Equine.”  I made the piece that was curated into this show for my last exhibition, ” r e s t r a i n t.”  When the gallery owner saw the piece, he decided to hold it for this show.  The image is of a bridle with blinders and made with the wet plate collodion process. This piece has sold to a private collector, but I’ve included the image below and there is a link to the review here.  It’s always satisfying when an arts writer understands the territory I’m negotiating with my work and this brief review is no exception.  Thank you Bob Hicks!

"Horse Bridle with Blinders," 5x4", ambrotype, 2011

 

 

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During the month of April 2011, many galleries around Portland will be showing photography in tandem with events surrounding the Photolucida portfolio reviews.  On Saturday, April 16th, photographer Ron Van Dongen and I will be giving brief lectures about our work at the Froelick Gallery. The gallery is located at 714 NW Davis St. and the event will start at 11am.  It is free and open to the public.  I will be talking about my most recent body of work entitled, “r e s t r a i n t,” a series of 4×5″ wet-plate collodion ambrotypes that are a meditation on the word restraint.  If you can’t make it to the talk, you can see the work and read my artist statement at seubertfineart.com, my fine art web site.  I look forward to seeing you at the gallery!

Hotel Room 9, 5x4", wet-plate ambrotype, 2011

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Greetings!  The holiday season is upon us already… my how time flies.  Last week was a flurry of assignments but with the annual slowing down of work around this time of year, I usually take some time to work on personal projects.  This year is no exception.  My good friend and mentor, Jody Ake moved to Portland recently and agreed to give me a refresher course on wet-plate collodion.  For a one-person show in 2009 during Portland’s biennial photo festival, Photolucida, I showed a group of 25 full plate ambrotypes – a study of birds nests that I created during a workshop in 2008 at the Oregon College of Arts and Crafts that Jody taught. This piece was also included in the Tacoma Art Museum’s 2009 Northwest Biennial.

grid of 8x10" ambrotypes entitled, "Nest"

Since that show, I’ve been busily filling print orders and taking assignments and have not had a large enough block of time to get back into the wet darkroom… until now!  Often I use my holiday card as a conceptually simplistic way to get my creative ball rolling again.  I’m looking forward to continuing to work in the wet-plate process making not only ambrotypes, but also ferrotypes.  Happy Holidays!

wet-plate ambrotype of mercury glass ornaments

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I have been invited by the Portland Art Museum’s Photo Council to give a talk about my work as an editorial photographer and a fine art photographer.  The talk will take place at the museum in the Miller room on Wednesday, February 17th at noon and is open to the public.  There was blurb about the talk on DK Row’s blog and in today’s Oregonian Newspaper. The talk will largely revolve around the broad notion that photography is simply a device used to communicate ideas.  Those ideas can be as distinct as each individual that chooses the camera as their medium.  More to come on Wednesday…  bring your lunch and be sure to not shy away from asking questions!  This is a casual affair.

Here is the press release:

For Immediate Release

Contact:  Jim Leisy (Photography Council)
503.708.3387 / jimleisy@fbeedle.com

“I’ve Led Two Lives”
a public talk by
Susan Seubert

at the Portland Art Museum
Wednesday February 17 at Noon, in the Miller Room

PORTLAND, Ore. —Noted photographer Susan Seubert will be giving a public talk about pursuing two discrete photographic careers: one as an artist and the other as an editorial photographer.

In this talk, I will discuss the challenges and rewards of being both a fine art and editorial photographer, how I’ve kept the two careers separate, and how ultimately they’ve grown to inform and involve one another.  I will show work that spans both careers.
—Susan Seubert

Susan Seubert’s public talk is part of the Photography Council’s monthly “Brown Bag Series”, a series of informal presentations by Northwest photography luminaries, the 3rd Wednesday of every month from Noon – 1 p.m. in the Miller Room at the Portland Art Museum.
This presentation is sponsored by the Portland Art Museum’s Photography Council.

Lecture by:      Susan Seubert, fine art & editorial photographer
Date & Time:     Wednesday February 17, Noon – 1 p.m.
Location:         Miller Room in the Mark Building
Portland Art Museum, 1219 SW Park Avenue, Portland, OR 97205
Cost:                Free to the public.  (Attendees are welcome to bring their lunch.)

About Susan Seubert
Susan Seubert was born in 1970 in Indianapolis, Indiana and is an active fine art and journalism photographer based in Portland, Oregon. Her provocative imagery has earned her critical acclaim with inclusion in the Portland Art Museum’s 1999 and 2001 Biennials and most recently in the 2009 Tacoma Art Museum Biennial. In 1999 Columbia University awarded Ms. Seubert an Alfred Eisenstaedt Award for her magazine work. Exacting in her preparation and printing, she is a master with the techniques of silver gelatin, platinum, tintype and wet plate collodion.  Since receiving her BFA in photography from the Pacific Northwest College of Art in 1992, Seubert has exhibited continuously in the United States. She was featured at Houston Center for Photography in 1997, and included in exhibit at Exit Art (New York) in 2001.  Currently, her work is represented by Froelick Gallery (Portland, OR), G. Gibson Gallery (Seattle, WA), and the Joseph Bellows Gallery (La Jolla, CA).

About the Photography Council
The Portland Art Museum Photography Council offers members behind-the-scenes access to collections, exhibitions, and curators. The council sponsors annual acquisitions for the Museum’s photography collection and brings renowned international photographers and historians to Portland for public and private events. Since its founding in 2001, the council has sponsored programs by David Byrne, Bruce Davidson, Elliott Erwitt, Abelardo Morell, Jerry Ueslmann, and many more. Dues to join the Photography Council are $100 for Members, $200 for Contributor Members, and $500 for the Advocate Member level.

About the Portland Art Museum
The seventh oldest museum in the United States and the oldest on the West Coast, the Portland Art Museum is internationally recognized for its permanent collection and ambitious special exhibitions drawn from the Museum’s holdings and the world’s finest public and private collections. The Museum’s collection of 42,000 objects, displayed in 112,000 square feet of galleries, reflects the history of art from ancient times to today. The collection is distinguished for its holdings of arts of the native peoples of North America, English silver, and the graphic arts. An active collecting institution, dedicated to preserving great art for the enrichment of future generations, the Museum devotes 90 percent of its galleries to its permanent collection. The Museum’s campus of landmark buildings, a cornerstone of Portland’s cultural district, includes the Jubitz Center for Modern and Contemporary Art, the Gilkey Center for Graphic Arts, the Schnitzer Center for Northwest Art, the Northwest Film Center, and the Confederated Tribes of Grand Ronde Center for Native American Art. With a membership of more than 22,000 households and serving more than 350,000 visitors annually, the Museum is a premier venue for education in the visual arts. For information on exhibitions and programs, call 503.226.2811 or visit portlandartmuseum.org.

Editor’s Note: For high resolution images please contact Jim Leisy at
jimleisy@fbeedle.com or 503.708.3387.

Florida - holding a baby alligator. Learned a lot about how to hold one.

photo by Chris Hornbecker

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It appears that digital technology has its firm grip on photographyI have certainly embraced the technology and enjoy its immediacy.  My primary camera is a Canon 5D Mark II which is lovely. (now that I have one that actually works). That said, I love my good old film cameras. Working with film forces me to slow down, look carefully and make decisions prior to releasing the shutter.  Currently I shoot about 25% of my work using an old, beat up Hasse with a set of prime lenses.  Occasionally I use my Rolliflex.  Sometimes I’ll take out the Linhof Technikardan.  What I LOVE is that the film doesn’t become obsolete in 3 years, I can put the film in a filing cabinet (as opposed to RAID storage for my digital files), and put the caption information on the sleeve (which can’t be stripped by software programs). Plus my cat can have a nap on the 8×10.

Steiglitz (sic) protecting the 8x10 camera

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Happiness is a good review. :-)   I have the great privilege to have been included in a three person show at the Rayko Photo Center in San Francisco. The SF Weekly has a very nice blurb about the show here.  Unfortunately, but also fortunately, work precludes me from attending the opening.  If you find yourself in the San Francisco area on October 2nd, head on over to the Rayko Photo Center and party down at the opening of, “Lightning, Lava and Bombs.” It features the work of myself, Ben Nixon and Hendrik Paul.  The opening begins at 6pm.

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The Center for Fine Art Photography in Colorado has announced the winners of the 2009 Art In Nature exhibition and my piece entitled “Nest” has been selected for the exhibition.  The juror was Kathy Moran, National Geographic magazine’s first senior editor for natural history projects.  It is a tremendous honor to have been one of the 48 artists chosen from three countries.  The exhibition will be on display at the gallery from December 4th, 2009 until January 9, 2010.

Nest #1 from the series, "Nest"

Nest #1 from the series, "Nest"

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