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Archive for February, 2010

If you have a Canon 5D camera, Canon has announced on their web site that there is a known issue with the mirror.

“We have discovered that, in rare instances, the main mirror of some EOS 5D Digital SLR cameras may detach due to deterioration in the strength of the adhesive.”

In a previous post, I talked about how my mirror came off in the middle of a shoot.  Assuming that I simply have bad luck with digital cameras, I shrugged it off and shipped the 5D off to the Canon factory repair center as soon as I returned home.  I decided to do a little bit of googling about the issue and up popped the site from Canon, with their mea culpa.  They will fix the issue, free of charge, including shipping.  Call the 1-800 number on the web page listed below for service.

Click on the screen shot to be directed to Canon’s support page and good luck!

Screen shot of Canon's Support Page for the 5D Mirror issue

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It is with great pleasure to announce that I was given an award for Overall Excellence in Photography from the North American Travel Journalists Association for the work that I’ve done for National Geographic Traveler Magazine.  Yippee!  This came as quite a surprise.  There are many fine photographers in the line-up as well, including Justin Guariglia, among others.  The magazine did very well across the board with awards in Travel Journalism, Travel Journalism Web Sites, Travel Blogs, and other categories.  Here is the press release.  Booya!

Here's the press release from natja

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Just another day at the office when… what the… suddenly the camera jams and given my history with Canon bodies I just figured, well, the 5D is fried… AGAIN.  But no, not just fried:  the mirror had come off of it’s plate and cracked in two.  Nice.

I haven’t contacted Canon yet – of course the body is out of warranty, and, again, of course, I was in the middle of nowhere when it failed so no pro replacement available.  Sigh.  Have a backup, of course, but I’m so tired of cameras falling apart.

Here’s the picture.  More to come…

Canon 5D mirror falls out

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Sometimes it’s just fun to mess around with new(er) technology.  I was one of the legions of photographers who loved to use an SX-70 Polaroid camera to make images.  Now I am able to use an iPhone application to make those kinds of images.  The application I use is called Polarize and it allows one to preview the effect before one saves it.  Although I miss the tactile quality that the Polaroid offers, making photos with an iPhone can be equally rewarding.  I still use a small instant camera that a friend brought to me from Japan : it’s a Fuji equivalent of a Polaroid and spits out business card sized prints. This morning I was taking some photos in the beautiful morning light with the iPhone.   Here are a few of my favorites from the last couple of months.  Enjoy!

my cat, Steiglitz (sic)

The tree outside my hotel room in Washington, D.C.

The National Museum of the American Indian

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I have been invited by the Portland Art Museum’s Photo Council to give a talk about my work as an editorial photographer and a fine art photographer.  The talk will take place at the museum in the Miller room on Wednesday, February 17th at noon and is open to the public.  There was blurb about the talk on DK Row’s blog and in today’s Oregonian Newspaper. The talk will largely revolve around the broad notion that photography is simply a device used to communicate ideas.  Those ideas can be as distinct as each individual that chooses the camera as their medium.  More to come on Wednesday…  bring your lunch and be sure to not shy away from asking questions!  This is a casual affair.

Here is the press release:

For Immediate Release

Contact:  Jim Leisy (Photography Council)
503.708.3387 / jimleisy@fbeedle.com

“I’ve Led Two Lives”
a public talk by
Susan Seubert

at the Portland Art Museum
Wednesday February 17 at Noon, in the Miller Room

PORTLAND, Ore. —Noted photographer Susan Seubert will be giving a public talk about pursuing two discrete photographic careers: one as an artist and the other as an editorial photographer.

In this talk, I will discuss the challenges and rewards of being both a fine art and editorial photographer, how I’ve kept the two careers separate, and how ultimately they’ve grown to inform and involve one another.  I will show work that spans both careers.
—Susan Seubert

Susan Seubert’s public talk is part of the Photography Council’s monthly “Brown Bag Series”, a series of informal presentations by Northwest photography luminaries, the 3rd Wednesday of every month from Noon – 1 p.m. in the Miller Room at the Portland Art Museum.
This presentation is sponsored by the Portland Art Museum’s Photography Council.

Lecture by:      Susan Seubert, fine art & editorial photographer
Date & Time:     Wednesday February 17, Noon – 1 p.m.
Location:         Miller Room in the Mark Building
Portland Art Museum, 1219 SW Park Avenue, Portland, OR 97205
Cost:                Free to the public.  (Attendees are welcome to bring their lunch.)

About Susan Seubert
Susan Seubert was born in 1970 in Indianapolis, Indiana and is an active fine art and journalism photographer based in Portland, Oregon. Her provocative imagery has earned her critical acclaim with inclusion in the Portland Art Museum’s 1999 and 2001 Biennials and most recently in the 2009 Tacoma Art Museum Biennial. In 1999 Columbia University awarded Ms. Seubert an Alfred Eisenstaedt Award for her magazine work. Exacting in her preparation and printing, she is a master with the techniques of silver gelatin, platinum, tintype and wet plate collodion.  Since receiving her BFA in photography from the Pacific Northwest College of Art in 1992, Seubert has exhibited continuously in the United States. She was featured at Houston Center for Photography in 1997, and included in exhibit at Exit Art (New York) in 2001.  Currently, her work is represented by Froelick Gallery (Portland, OR), G. Gibson Gallery (Seattle, WA), and the Joseph Bellows Gallery (La Jolla, CA).

About the Photography Council
The Portland Art Museum Photography Council offers members behind-the-scenes access to collections, exhibitions, and curators. The council sponsors annual acquisitions for the Museum’s photography collection and brings renowned international photographers and historians to Portland for public and private events. Since its founding in 2001, the council has sponsored programs by David Byrne, Bruce Davidson, Elliott Erwitt, Abelardo Morell, Jerry Ueslmann, and many more. Dues to join the Photography Council are $100 for Members, $200 for Contributor Members, and $500 for the Advocate Member level.

About the Portland Art Museum
The seventh oldest museum in the United States and the oldest on the West Coast, the Portland Art Museum is internationally recognized for its permanent collection and ambitious special exhibitions drawn from the Museum’s holdings and the world’s finest public and private collections. The Museum’s collection of 42,000 objects, displayed in 112,000 square feet of galleries, reflects the history of art from ancient times to today. The collection is distinguished for its holdings of arts of the native peoples of North America, English silver, and the graphic arts. An active collecting institution, dedicated to preserving great art for the enrichment of future generations, the Museum devotes 90 percent of its galleries to its permanent collection. The Museum’s campus of landmark buildings, a cornerstone of Portland’s cultural district, includes the Jubitz Center for Modern and Contemporary Art, the Gilkey Center for Graphic Arts, the Schnitzer Center for Northwest Art, the Northwest Film Center, and the Confederated Tribes of Grand Ronde Center for Native American Art. With a membership of more than 22,000 households and serving more than 350,000 visitors annually, the Museum is a premier venue for education in the visual arts. For information on exhibitions and programs, call 503.226.2811 or visit portlandartmuseum.org.

Editor’s Note: For high resolution images please contact Jim Leisy at
jimleisy@fbeedle.com or 503.708.3387.

Florida - holding a baby alligator. Learned a lot about how to hold one.

photo by Chris Hornbecker

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The March Issue of National Geographic Traveler is out to subscribers and it is with great pleasure that I am able to share these images from the story.  The article was put online a few days ago, but now the printed version is also available.  Although I didn’t shoot all the images for the article, I did wind up with the majority of published pictures along with a nice byline.  Here are the photographs from the story that I made.  Please go buy a copy of the magazine, or even better, support magazines and get a subscription!  You can also look at more of my photography of Hawaii on my photoshelter site by clicking here.  I spend four months a year in Maui, so I am very proud to have had this opportunity to feature one of my favorite places on earth in pictures.  I hope you enjoy the story and have the opportunity to visit our 50th state sometime in the very near future. Aloha and mahalo nui loa!

Opening spread for the cover story "Undiscovered Maui" in National Geographic Traveler Magazine

Makamakaole Falls on Maui's rugged North Shore

Kahakuloa, the Hawaiian village located on Maui's rugged North Shore, accessible only by a narrow, one lane, cliff hugging road

These images were made with a Canon 5D, Canon 5D Mark II, and one film camera, the Hasselblad.  When shooting digitally, I always shoot in a RAW format.  The digital images were processed in Adobe’s Lightroom software program.

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It is with great pleasure to announce that an online photography gallery of images about Hawaii was recently posted to the National Geographic Traveler web site.  The story is about “Undiscovered Maui” and will be running in the March issue of the magazine.  Macduff Everton and I both contributed images to the story and I am pleased to share a byline with him.  In this web gallery, his image is taken from the inside of an outrigger canoe, and the rest of the photographs were made by me. :-)   Click here to see the gallery of images and here to see the story by Andrew McCarthy.  What made this assignment so incredible was having the opportunity to meet the good people of Kahakuloa.  Each and every person in this small town nestled in the cliffs of the northern tip of Maui demonstrated true aloha spirit in the most genuine way.  The premise of this story is absolutely true and it’s best experienced by taking time to talk story with the locals.  They have a long history to share with us and we have much to learn from them and their culture.  One of the most memorable moments of the shoot was meeting Richard Ho’opi’i.  Not only did he give us an enormous amount of his time as we sat in his back yard and listened to his history of growing up and learning na leo ki’eki’e, (falsetto), he generously gave us a private concert in the little green church that is nestled in this picturesque village of only a few hundred people.  His wife runs the pink ice cream stand in the village.  If you travel there, stay a while, enjoy the stories and experience the aloha that these warm people so generously offer.

Click here to be taken to the web gallery of images on National Geographic Traveler's Web Site

I shot my images with a Canon 5D, a Canon 5D Mark II, and a Hasselblad.  I processed the digital files using Adobe’s Lightroom.

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During whale season in Maui, one can head out to calm waters and listen to the whales call to one another.  We swam out to a popular snorkel spot on Ka’anapali Beach called Pu’u Keka’a, otherwise known as Black Rock, where the lava forms underwater valleys that collect the sonar that the Humpback Whales use to communicate.  Breathing lightly through the snorkels, the whale calls are unmistakable and make me wish for more pro equipment to collect them!  The reef is alive with snapping shrimp and sometimes there are lots of people, but some days, the winds are calm, few people have swum around the point, and one can simply float in the water, ears just beneath the surface and be suspended in a completely different world.  It’s truly amazing and I recommend it to anyone comfortable enough to dangle in the open ocean.  The person in this multimedia piece is my husband who had stopped to listen.  He was too close to the reef, and I had swum out to deeper waters to try and get away from the snapping noise and was able to lay that sound over his image using iMovie.  Although this isn’t the best recording of whale calls, I hope that you enjoy it nonetheless.  I used a Canon SD1000 Digital Elph in a WP-DC13 Waterproof housing for both the video and the audio.

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